My three latest pitching mistakes
Mistakes are a commodity: You usually cannot afford too many and you want to know where they come from. Analysing your mistakes is the best way to learn from th...
Mistakes are a commodity: You usually cannot afford too many and you want to know where they come from. Analysing your mistakes is the best way to learn from th...
I’m working on a free report about German funding sources, coproduction structures and so forth. If you have any questions you’d like to have answer...
This is the second of two posts about how to finance your shortfilm. Although the following information is specific to Finland you will find similar possibiliti...
I often get asked by film makers if I could tell them how to raise money for their shortfilm. In order to save myself from typing the same answers time and agai...
Filmmakers often wonder why banks won’t lend them money, so that they could complete their financing plan. Often it may be only a 10% gap that needs closi...
This week I attended the Cartoon Masters Feature seminar in Munich. A big theme in several presentations was stereoscopic 3D or S3D, with such speakers as veter...
The 26th Interfilm festival for shortfilms was held in Berlin last week. In addition to some great screenings I also attended the ShortFriday event, which inclu...
The headline is borrowed from Petteri Pasanen, producer of the Helsinki-based Anima Vitae studios, who put it forward in his presentation at the Animation Finan...
I state as my opinion, that the different kinds of animation productions coming out of Finland kick lots of butt. Not only do they compete for and win internati...
In Europe, especially in animation, coproduction is a necessary evil. In most cases you simply cannot finance your animated project with money from just one ter...